From The New Yorker: The production is "barn-burning;" Jude Law is "a sensation, if not a revelation."
From New York: The production "practically wills itself into a state of torpor;" Law's Hamlet "may be the first in danger of blowing away in a stiff wind."
From Time Out New York: The production "has plenty to thrill and hold your attention;" Law is called "Yoga Hamlet," based apparently on both his wardrobe and flexibility. (Okay, also: "he holds court at the center of his scenes with an intensity, intelligence and awestruck wonder that puts most Hamlets [the reviewer has] seen to shame.")
I find it really interesting to see the different perspectives. Although most of the reviews are pretty mixed, I think the Times one was the harshest.
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