Blue Latitudes by Tony Horwitz

The warriors taunted and threatened the English, but only rarely did they follow the haka with a sustained attack. Before long, the crewmen responded in kind. When a warrior waved his naked backside at the English, which William Monkhouse termed "the usual sign of contempt" among fishmongers in London, the surgeon decided to "retort the compliment" by baring his ass as well. This so enraged a warrior that he hurled a lance. The English replied with small shot, frightening the Maori--but only for a moment. "They felt the sting of our laughing at them," Monkhouse wrote, and resumed shouting and waving spears and paddles. Thus ended a fairly typical encounter, which reads today rather like a skirmish between soccer hooligans in Europe. 

-Blue Latitudes 

Blue Latitudes had been on my maybe-read list for a while. I knew Tony Horwitz was a gifted writer, since I'd thoroughly enjoyed two of his other books, Confederates in the Attic and A Voyage Long and Strange. Even so, I wasn't hooked by the premise of Blue Latitudes initially. I'd never had any particular interest in Captain Cook, so I had trouble mustering up a lot of enthusiasm for the idea of Horwitz retracing his voyages around the world.

Then, of course, I read Age of Wonder and became familiar with Joseph Banks, the scientist (and ladykiller) who accompanied Cook on his first voyage. Banks was quite a character, and he sparked my interest to the extent that I found myself considering Blue Latitudes with new enthusiasm. I'm glad I did.

In Blue Latitudes, Horwitz travels around the world just as Cook did, although he does have the advantages of airplanes and GPS, not to mention Dramamine when he does take to a boat. He journeys to everywhere from Alaska to New Zealand, and not a few places in between, ending his trip as Cook did in Hawaii, although his own journey comes to a close on a decidedly less bloody note.  Everywhere he goes, Horwitz investigates how Cook is remembered. Today Cook has become a complicated figure. Depending on whom you talk to, you might hear Cook described as an intrepid adventurer or a harbinger of doom. As someone who didn't know much about Cook, I found it interesting to see the many sides of the man. I also appreciated Horwitz's forays into other aspects of history I was wholly unfamiliar with. To wit:

The Aleutian Islands became American territory following William Seward's famous purchase of Alaska in 1867, and for seventy-five years the remote Aleuts survived in a state of benign neglect. Then came World War II, when the Japanese bombed Dutch Harbor and seized several islands farther out along the Aleutian chain, the first occupation of American soil by a foreign army since the War of 1812. The inhabitants of the occupied islands were taken to camps in Japan, where only twenty-five survived. The United States evacuated the rest of the Aleuts, ostensibly for their own protection, interning them at wretched camps in southeastern Alaska, where many of them also died. Because of wartime censorship, the Aleuts' plight remained unknown to the American public. Not until 1988 did the U.S. government formally apologize to the Aleuts and pay compensation of $12,000 to each of the camps' few hundred survivors.

I certainly don't remember that ever coming up in any of my history classes. It's amazing how much is still left unsaid when it comes to recent history.

Horwitz is a smart, compelling writer, and I certainly feel better informed for having read this book. That said, I still prefer the other books of his I've read. I'm also quite excited for his next book, which is about the abolitionist John Brown and his famous raid on Harper's Ferry.

Up next: Back to Inspector Lynley with Payment in Blood.

A Great Deliverance by Elizabeth George

She left the room and stalked down the corridor towards the lift. Was there anyone in all of New Scotland Yard whom she hated more than she hated Lynley? He was a miraculous combination of every single thing she thoroughly despised: educated at Eton, a first in history at Oxford, a public school voice, and a bloody family tree that had its roots somewhere just this side of the Battle of Hastings. Upper class. Bright. And so damnably charming that she couldn't understand why every criminal in the city simply didn't surrender to accommodate him.

-A Great Deliverance 

These are the thoughts of DS Barbara Havers, of late a uniformed cop working for the Metropolitan Police. Havers has the chops to make it as a detective, but her difficult personality has won her few friends in the department. When her superior officer assigns her to a thorny murder case in Yorkshire, she might have been pleased to have another shot--except for the fact that he partners her up with DI Thomas Lynley. Havers, as you may have gleaned from the passage above, has no love lost for Lynley. She considers the assignment to be a form of punishment, a cruel joke--why else would you pair up the working-class Havers with Lynley, better known in some circles as the eighth earl of Asherford?

Yes, Havers has a wee bit of a chip on her shoulder when it comes to class. And while everything she thinks about Lynley in the passage I quoted is true enough, it quickly becomes clear that there's much more to him than meets the eye. A Great Deliverance is as much a story of the two detectives groping toward a working relationship as it is the story of the (rather lurid) case that they've joined forces to investigate.

I first became acquainted with Lynley and Havers by watching the Masterpiece Mystery adaptations of Elizabeth George's stories starring Nathaniel Parker and Sharon Small--I'm currently in the middle of the third season. I was immediately charmed by Lynley--as Havers notes, it's difficult not to be--and I was quite fond of his prickly partner from the outset as well.  I feel as though the television adaptation honed this story well--I could have done without some of the more histrionic moments in the book, or the oddly two-dimensional ugly American character*. Still, I read the book in two days, which certainly reflects how caught up I became in the story. One thing I particularly enjoyed was the chance to get a window into the thoughts of both Lynley and Havers, which gave me some new insight into how they viewed one another at the start of their partnership. I would be lying if I pretended I was anything else but hugely invested in seeing how that relationship develops on the page, as it certainly has been pretty engrossing on screen.

On the whole, it was a good read, and it was refreshing to have a book that I became so absorbed in after a pretty uneven run of books in the last few months. I'll definitely be seeking out the next book in the series.

Up next: Getting back to Tony Horwitz's Blue Latitudes, which I'm about halfway through.

*Particularly considering that George herself is American.

Poem: "Stanzas Written In Passing The Ambracian Gulf"

Cleopatra (Lyndsey Marshal) and Antony (James Purefoy) on HBO's Rome*

 It's April once again (I note belatedly), which means that it's also National Poetry Month. Last year at this time I was on a Keats kick and, after having read The Age of Wonder, I thought it would be good to revisit the Romantics. This time I selected Byron. 

I've long been familiar with Byron's libertine reputation, but I don't think I'd ever read any of his poetry until recently. I was pleasantly surprised with how readable it was, and how witty. I was charmed from the first poem I read, which I've decided to highlight in this post.  

Stanzas Written In Passing The Ambracian Gulf

Through cloudless skies, in silvery sheen,

Full beams the moon on Actium's coast:

And on these waves for Egypt's queen

The ancient world was won and lost.

And now upon the scene I look,

The azure grave of many a Roman;

Where stern Ambition once forsook

His wavering crown to follow woman.

Florence! whom I will love as well

As ever yet was said or sung

(Since Orpheus sang his spouse from hell),

Whilst thou art fair and I am young;

Sweet Florence! those were pleasant times,

When worlds were staked for ladies' eyes:

Had bards as many realms as rhymes,

Thy charms might rise new Antonies.

Though Fate forbids such things to be,

Yet, by thine eyes and ringlets curl'd!

I cannot lose a world for thee,

But I would not lose thee for a world.

That last couplet, am I right? Also, I'm a sucker for Roman history: he had me at Actium.

*I suppose I could have used any number of pictures to illustrate this post, but James Purefoy's performance as Antony is brilliant. Love him; love the crazy, twisted soap opera that was Rome.

The Age of Wonder by Richard Holmes

At all events, Coleridge treasured the memory of his father's eager demonstration of the stars and planets overhead, and the possibility of other worlds: 'I remember, that at eight years old I walked with him one evening from a farmer's house, a mile from Ottery -- & he told me the names of the stars -- and how Jupiter was a thousand times larger than our world -- and that the other twinkling stars were Suns that had world rolling round them -- & when I came home, he showed me how they rolled round. I heard him with profound delight & admiration; but without the least mixture of Wonder or incredulity. For from my early reading of Faery Tales, & Genii etc etc -- my mind had been habituated to the Vast.'

-The Age of Wonder 

I find it pretty remarkable to think that Samuel Taylor Coleridge, some 200 years ago, thought his mind "habituated to the Vast." What hope, then, do we in the 21st century have to experience wonder, when so much more of the world has been discovered and analyzed and explained? Luckily for us, we also have books like The Age of Wonder to help us to consider the world around us in a new light.

If I were to try to sum up The Age of Wonder in one sentence, I might say something like, "It's about the monumental discoveries that were made in every scientific discipline in the late 18th and early 19th centuries." Even with that "monumental" in there, though, I suspect that that sounds rather dry. (Also, passive voice. Badly done.) Imagine this instead: A Scotsman exploring an area of Africa that cartographers have left blank. A German immigrant building the largest telescope in England...and promptly discovering a new planet. A wealthy young English botanist going native in Tahiti. A 20-year-old who spent considerable time experimenting with the effects of nitrous oxide, to which he became addicted, before going on to discover elements like calcium. The Age of Wonder covers all of these stories and many more. If you've guessed that it's ambitious in scope, you would be correct.

It's amazing how much we know of science dates from this time-- even the word scientist itself didn't come into usage until the 1820s. Richard Holmes has quite a lot of territory to cover. He juggles his stories in a way that makes it look quite easy, but I can't imagine how much time must have gone into researching this book. His voice is clear and he sometimes manages to work in some very clever asides--I would definitely be interested in looking into other books of his. (He seems to have primarily written about the Romantic poets, who flit in and out of The Age of Wonder.)

It did take me a little while to get into the book, but before long I was utterly absorbed in the Tahitian adventures of Joseph Banks. On the whole, it's a very interesting book. I particularly loved the parts about astronomy (because if anything can inspire wonder, I really think it's the stars) and the dramatic tale of the adventurer Mungo Park, the first European to find the Niger River. I was less enchanted with the story of Humphry Davy, but that may have been in part because he just didn't come across as a particularly likable fellow. Overall, I feel much better informed about this era than I did prior to reading this book, and I wouldn't hesitate to recommend it.

Up next: Using Joseph Banks as a jumping off point, I'm on to Tony Horwitz's Blue Latitudes, in which he retraces the travels of Captain Cook. I loved the other two Horwitz books I read, so I have high hopes. 

The Infinities by John Banville

Of the things we fashioned for them that they might be comforted, dawn is the one that works. When darkness sifts from the air like fine soft soot and light spreads slowly out of the east then all but the most wretched of humankind rally. It is a spectacle we immortals enjoy, this minor daily resurrection, often we will gather at the ramparts of the clouds and gaze down upon them, our little ones, as they bestir themselves to welcome the new day. What a silence falls upon us then, the sad silence of our envy. Many of them sleep on, of course, careless of our cousin Aurora's charming matutinal trick, but there are always the insomniacs, the restless ill, the lovelorn tossing on their solitary beds, or just the early-risers, the busy ones, with their knee-bends and their cold showers and their fussy little cups of black ambrosia. Yes, all who witness it greet the dawn with joy, more or less, except of course the condemned man, for whom first light will be the last, on earth.

-The Infinities 

When I was growing up, one of my favorite books was D'Aulaires' Book of Greek Myths. I read it cover to cover, over and over again. I didn't grow up with organized religion, so while other children learned Bible stories, I knew the tale of Persephone by heart. Even though the Greek gods seemed both formidable and alarmingly capricious, I was secretly disappointed that they went unworshipped in modern times.

All that is to say, I have a particular affection for Greek mythology, so when I heard about John Banville's The Infinities, I was intrigued.  A story about Greek gods meddling in the affairs of an Irish family--what could be better? I had been watching Battlestar Galactica, in which Greek mythology plays an important part, so I was especially ready to enjoy some Zeus & Hermes action. Unfortunately, while I found the prose of The Infinities to be beautiful, its story left me cold.

The Infinities is a fairly short novel--less than 300 pages--so I anticipated that I would finish it quite quickly. The story, which takes place over the course of a single day, never really drew me in, though. Patriarch Adam Godley is in a coma, and his family has gathered around him to ready themselves for his presumably incipient death.  The day's events are narrated (for the most part) by Hermes, who makes note of his father's lusty advances (shock!) toward a woman in the house, as well as his own mischievous interference. The story is short on plot and long on description, unsurprisingly given the parameters of the novel, with Banville particularly seeming to relish a certain earthiness that I could have done without. I was intrigued by some of his characters (fragile daughter Petra and her would-be beau Roddy, to name two), but I found the gods themselves to be surprisingly...human. And while, as I noted above, the Greek gods have always had human traits writ large, never before have I found that that made them common or boring, as unfortunately I did here.

The Infinities is quite an admired book--made a number of top book lists last year, as I recall--and it does seem like the kind of book that would benefit from a deeper reading. (Maybe then I would better understand the ending, which seemed to come out of nowhere.) I believe, though, that the best books are those that can be enjoyed purely from a story standpoint. You might want to find the deeper meanings if the story is good, but you shouldn't have to do so to enjoy the book. That is probably essentially why I was not an English major, right there.

Up next: Another critically-acclaimed book, The Age of Wonder, which thankfully I'm enjoying much more so far!

American Nerd by Benjamin Nugent

The distinctive thing about so many nerds I've met is their willingness to pursue a dream version of their lives even when that dream isn't a plausible aspiration. Playing Sir Guillaume doesn't have anything to do with reinventing yourself through ambition. It has no careerist or pragmatic component. It's imitating the thing you most want to be, and that only, with no hope of the world outside your own head and your own group of friends coming round to accept it as the truest version of who you are. 

-American Nerd

In American Nerd, Benjamin Nugent sets out to investigate the origins of the idea of a nerd and to explore how nerdiness manifests in culture today. He also establishes his own nerd cred quickly, and returns to ruminate over his transition out of nerdiness in the strongest parts of the book.

I found aspects of the evolution of the concept of a nerd (or, as it was once spelled, nurd) interesting, but the early part of the book was not quite as absorbing as I had hoped. Although American Nerd is a short book, I didn't read it as quickly as I anticipated, simply because I found it a little dry at first. I did appreciate Nugent's explaining the relation between anti-immigrant, anti-Semitic sentiment at the turn of century and the low rung nerds still occupy on the social ladder, which I'd never considered before. Still, I found myself eager to move on to Nugent's exploration of modern nerd culture.

I was slightly disappointed that Nugent mostly looks at aspects of nerd culture that I don't really have any interest in, like video games and anime. Still, it can be fascinating to see how people can be obsessed with something that I wouldn't give two seconds' thought to. After all, I have plenty of my own geeky obsessions (currently Battlestar Galactica, which ought to get me plenty of nerd cred). I think I would have liked this section of the book to be a bit more substantial--more nerdy subcultures profiled, and more depth in each one.

Throughout the book, Nugent references his own childhood nerdiness, which included plenty of Dungeons and Dragons and video games. At some point he consciously decided to leave behind childish things, breaking ties with his former roleplaying buddies and finding a home in any group that would have him--any group but the nerds, that is. American Nerd gave him the opportunity to consider this decision, and he talks with several of his childhood friends about what nerd culture meant to them. It turns out to be a lot deeper than you might expect, a true safe haven for friends who were doing their best to survive in very unstable households.  It's emotionally affecting, and I wouldn't have minded seeing more reflections from men (and women, who are pretty underrepresented in the book) on how their nerdy habits affected their lives.

So overall, American Nerd has some interesting parts, but it wasn't quite as compelling as I had hoped. No worries.

Up next: The Infinities by John Banville. Winner of the Man Booker Prize, what what.

An Object of Beauty by Steve Martin

At Sotheby's, she started to look at paintings differently. She became an efficient computer of values. The endless stream of pictures that passed through the auction house helped her develop a calculus of worth. Auction records were available in the Sotheby's library, and when a picture of note came in, she diligently searched the Art Price Index to see if it had auction history. She factored in condition, size, and subject matter. A Renoir of a young girl, she had witnessed, was worth more than one of an old woman. An American western picture with five tepees was worth more than a painting with one tepee. If a picture had been on the market recently without a sale, she knew it would be less desirable. A deserted painting scared buyers. Why did no one want it? In the trade, it was known as being "burned." Once a picture was burned, the owner either had to drastically reduce the price or sit on it for another seven years until it faded from memory. When Lacey began these computations, her toe crossed ground from which it is difficult to return: she started converting objects of beauty into objects of value.

-An Object of Beauty 

Man, did I need a book like this one. I've had a steady string of good, but not great books in the last six weeks--I don't think I've read one I found truly absorbing since Mockingjay. An Object of Beauty came along at precisely the right time.

Honestly, I wasn't expecting to like it so much. I read Steve Martin's novella Shopgirl and felt that, while it was technically good, something about it left me cold. It was an aloof sort of book, if that makes sense. An Object of Beauty is similar in a sense. Lacey Yeager, the character whom we follow as she climbs the social and corporate ladder of  the New York art world,  is ambitious and cunning, not particularly easy to warm up to. But it doesn't really matter--you don't need to like Lacey to enjoy the story. Because while Lacey is the chief personage we get to know in An Object of Beauty, she's not the book's true main character. Art is.

And art--well, that I love. I studied Art History in college, but now it would be a rare day indeed when someone asked me my opinion on Joseph Beuys, or even Picasso. But this story is full of people with opinions on these and other artists, and spending time with them was like getting to know people with whom I have mutual friends. It doesn't matter if I like them or not (and I would not choose to spend time with a Lacey in real life), but we do have something in common. Martin is clearly extremely well versed in modern art, and his tale of Lacey's rise from lowly Sotheby's drudge to gallery scenester is note perfect. There's a vicarious thrill in getting access to this world, and as little as I truly sympathize with Lacey, I absolutely understand the power that a painting can hold over a person.

Story time: When I was just about to graduate from college, I applied for an internship at a very prestigious art gallery in Manhattan. The time came to schedule an interview, and I panicked--I didn't have the money to fly to New York from an interview, much less to live there on a meager stipend. But it's one of the moments that makes one wonder, what if? When I did finally move to New York, my parents most thoughtfully gave me the gift of a membership to the Metropolitan Museum of Art, probably my favorite place in New York City. (Central Park is a close second. These places are iconic for a reason.) I've lost track of the number of times I've visited the Met. At least twenty. Over time, there were certain paintings that I began to identify as "mine." I sought them out every visit, filled each time with the sense of joy that comes with seeing an old friend. They once temporarily removed a favorite Monet* and I was quite incensed. That was my Monet, didn't they understand?  I felt like I loved it more than anyone in the world could, and, selfishly, I would have taken it with me if it had been offered. So yes, all that is a way of saying that I suppose I do understand part of the way that Lacey appreciates art. But, going back to the excerpt I chose, I never made the transition that Lacey did--I don't see paintings as objects of (monetary) value. And for that I'm glad.

Would one like An Object of Beauty if one doesn't care about art? I wondered that as I read. I've certainly read my fair share of books that involved subjects that I had little interest in or knowledge about. In this case, I think an appreciation for art would certainly heighten one's enjoyment of the book. I mean, Martin includes little reproductions of some of the paintings under discussion. If that's the kind of detail that makes your heart go pitter-patter (or at least spares you a trip to Google), then I think this book would be a winner. But even if that idea provokes an overwhelming meh, I think that it's worth a try all the same. It's a pretty classic tale of the pleasure and pain inherit in gaining access to the most elite part of society, when it comes down to it. Joyce Carol Oates has compared it to an Edith Wharton novel (specifically, The Age of Innocence, which I haven't read); I myself thought of Vanity Fair's Becky Sharp. I was surprised to see there were very mixed critical reviews, as I (obviously) thought it was quite good, and could even see myself rereading it in the future.

Up next: American Nerd by Benjamin Nugent. Dang, there goes the title for my autobiography.

*And yeah: I'm a huge fan of art, but I'm definitely no snob. I love Monet.

A Trace of Smoke by Rebecca Cantrell

My eyes darted to the words under the photograph that had called to me. Fished from the water by a sightseeing boat the morning of Saturday, May 30, 1931--the day before yesterday. Apparent cause of death: stab wound to the heart. Under distinguishing characteristics they listed a heart-shaped tattoo on his lower back that said "Father." No identification present.

I needed none. I knew the face as well as my own, or my sister Ursula's, with our square jaws and cleft chins. I wore my dark blond hair cut short into a bob, but he wore his long, like our mother, like any woman of a certain age, although he was neither a woman nor of a certain age. He was my baby brother, Ernst.

-A Trace of Smoke 

Hannah Vogel is a reporter operating out of 1931 Berlin. She's seen some terrible things while writing stories about the city's criminal element, but nothing could prepare her for the nasty shock of seeing her brother's face among those cataloged in the police department's Hall of the Unnamed Dead. In some ways, it was unsurprising: Ernst had lived an unconventional, uncompromising life that had put him in contact with some unsavory men. Even so, Hannah is naturally aghast.

Worse still, Hannah can't report her brother's death to anyone. She lent her and Ernst's identity papers to Jewish friends fleeing the country in light of the growing influence of the Nazi party. If Hannah identifies Ernst, she could put her friends in jeopardy. The truth of the matter is simple and frightening: if Hannah wants Ernst's killer to be punished, she's going to have to find him herself.

It's more difficult, and more dangerous, than she possibly could have imagined. Matters are further complicated when a little boy shows up on her doorstep. He claims that Ernst was his father--and Hannah his mother. Hannah takes the boy under her wing and does her best to take care of him in the face of an increasingly menacing threat from persons unknown. 

I had some mixed feelings about this one. Hannah I liked well enough, although she didn't strike me as a terribly distinctive heroine. She was so forward-thinking as to be boring, if that makes sense. When I read historical fiction, it's not because I want to read about people who would react just as modern people would. While I was reading, I couldn't help but think that the story might have been more interesting from the point of view of Hannah's friend Bettina, a policeman's wife, who seemed a more traditional German woman of that era.

The mystery itself held my interest, and I found the milieu interesting. I confess I don't know much about the pre-WWII era in Germany, so I learned a few things. I did find the inclusion of a prominent real-life Nazi as a character to be a bit odd. It's certainly fairly popular to include real people in historical fiction, but it's not the easiest thing to pull off. Again, I can't pretend to have a comprehensive knowledge of the figures of that era, but for some reason it took me out of the story. Sometimes including a real figure only reminds the reader that the rest of the story is made up, making it hard to suspend one's disbelief. I would have preferred that Cantrell had made up a fictional Nazi with a similar background and position of influence. I don't think it would have lessened the impact of this character's role in the story.

All in all, I can't see myself continuing with this series at this point, though I definitely think that this story could appeal to a wide audience--mystery fans, history fans, &c. Not one I feel compelled to spend more time on myself. There are just so many books out there, you know?

Up next: I've already begun  Steve Martin's An Object of Beauty, which is off to a strong start.

Secret Daughter by Shilpi Somaya Gowda

Krishnan has raised the idea of going back to India to visit and perhaps adopt another child, but Somer has resisted. She seems intent on preserving Asha in the little cocoon they have woven around her. It's not the way he sees family, as a precious thing that needs to be protected. For him, family is a wild sprawling thing, a strong thing that withstands years, miles, even mistakes. For as long as he can remember, there have been minor transgressions and major feuds erupting among his big clan, and it doesn't affect the endurance of their family's bond.

-Secret Daughter

In Secret Daughter, Shilpi Somaya Gowda traces the story of two families. There is the story of Jasu and Kavita, living in poverty in rural India. In 1984, Kavita gives birth to a daughter. As female babies are considered less than desirable, she makes the difficult journey to an orphanage in Mumbai. Losing her baby that way, while incredibly painful, is better than the other possible outcome: she's already seen one of her daughters killed shortly after birth.

There is also the story of Krishnan and Somer. Krishnan, from India, meets Somer when studying at medical school in America. He falls in love with her and with his new country, and they begin to make a life there together. When Somer discovers she is infertile, Krishnan hits upon an idea: to adopt a child from India. Somer is reluctant at first, but eventually they make arrangements and travel to Mumbai in 1985. They adopt a young girl: Kavita's daughter.

Gowda shows us how these two families weather the next twenty years. Kavita and Jasu decide to try for a better life in Mumbai, only to discover that it will be far more difficult than they ever imagined. Somer and Krishnan gradually grow apart as their daughter grows up, their relationship in part weakened by Somer's inability to accept the importance India has in her husband's and daughter's lives--and thus in her own life as well.

This really is a character-driven novel, and luckily I liked most of them. Things got off to a bit of a slow start, but after that I became invested, mostly in Kavita and Jasu. Krishnan I liked as well, though not much of the story is told from his point of view. The problem is Somer. While I was sympathetic to her early difficulties in becoming pregnant, once she traveled to India she managed to burn through a lot of goodwill very quickly. She's breathtakingly narrow-minded--I really hope her lack of understanding of Indian culture and her complete unwillingness to share in any of it reflects only on her character and is not representative of Americans in the 1980's, because that would be really sad. It was very frustrating to watch Somer handle things so poorly, though I appreciated that Gowda was able to tie up her story fairly well. I think overall Gowda provided the happiest ending she could within the bounds of realism, but the book was somewhat on the sad side. Interesting, though.

Up next: A Trace of Smoke by Rebecca Cantrell

More Tales of the City by Armistead Maupin

[Tales of the City spoilers ahead]

She was not moving back to Cleveland. She was not running home to Mommy and Daddy. She knew that much, anyway. For all her trials, she loved it here in San Francisco, and she loved her makeshift family at Mrs. Madrigal's comfy old apartment house on Barbary Lane.

So what if she was still a secretary?

So what if she had not met Mr. Right...or even Mr. Adequate?

So what if Norman Neal Williams, the one semi-romance of her first six months in the city, had turned out to be a private eye moonlighting as a child pornographer who eventually fell to his death off a seaside cliff on Christmas Eve?

-More Tales of the City 

When I was reading More Tales of the City, words to describe it kept popping into my head: soapy, fizzy, fun, &c. Although the book has its share of dramatic moments, they're all so overblown that I can only describe this as a light read--and a thoroughly enjoyable one.

More Tales of the City picks up just weeks after the events of Tales of the City. All of our favorite characters are ready to embark upon new (and often exciting) adventures. Some friendships and relationships blossom, while others are tested. Mary Ann Singleton and Michael Tolliver go on a Mexican cruise, courtesy of her late boss, Edgar Halcyon. Edgar's widow Franny is struggling to find herself after his death, and their daughter DeDe tries to cope with her thoroughly jerky husband Beauchamp and the imminent arrival of her twins (not Beauchamp's, naturally). Meanwhile, Mona Ramsey goes to Winnemucca, Nevada to find herself, leaving behind landlady Anna Madigral, whose mysterious past is finally starting to come to light.

There is quite a lot of plot, and if you took it terribly seriously, it would never be plausible--amnesia! Sudden paralysis! Being drafted to work as a receptionist in a whorehouse for a week!  When you put it all together, it doesn't sound at all likely, but that's really beside the point. More Tales of the City is a fast and engaging read because you can't wait to see what happens next--and really, experience has shown it could be anything.

Up next: Still have a lot of choices here. I will probably go with Secret Daughter by Shilpi Somaya Gowda, which ought to be a change of pace.