Monday, June 24, 2013
Telegraph Avenue by Michael Chabon
Archy felt blood in his cheeks, the shame of the ponderer in a world that urged decision. A deliberator nipped at and harried by the hounds of haste. Professing in his heart like some despised creed the central truth of life: The only decision a man will never regret is the one he never made.
-Telegraph Avenue
It's nice to have a history with an author, isn't it? Not just having read a lot of books by that author, but to have memories connected with them. That's how I feel about Michael Chabon. I remember picking up The Amazing Adventures of Kavalier and Clay and being so absolutely wowed by it that I emailed him. It was the kind of ridiculous, flowery email that you might expect a 19-year-old to write, and he very kindly responded. I remember taking The Mysteries of Pittsburgh with me when I went to Italy later that same year. I remember when he did a reading at my college and signed my copy of Summerland, which I had bought at the university bookstore. That's a history, I think.
When I was thinking about what I wanted to say about Telegraph Avenue, I remembered all of that. From page one, the writing was everything I could have wanted--on a sentence-to-sentence level, Telegraph Avenue is beautiful, funny, and true. Just on that first page, there's this description of Archy Stallings--"moonfaced, mountainous, moderately stoned." I didn't intend to wax rhapsodic here, but that's pretty near perfect if you ask me.
The story--of Archy and his partner Nat, their wives and kids, and their business, Brokeland Records--shares a lot of the hallmarks of other Chabon stories. There's the obsession (with vinyl here, as opposed to comics or baseball), the quirky characters (shades of Wonder Boys), the sexual exploration. I think I might have been more absorbed in the story of I'd connected to any one part of it better--jazz, Berkeley, kung fu--but I still enjoyed it. The characterization is particularly good--I'd love to have a follow-up just about Nat's son, Julie. Regardless of what Chabon does next, I'll be along for the ride.
Up next: Dead Ever After, the last of the Sookie Stackhouse novels.
Labels:
contemporary fiction,
music
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